{"id":14,"date":"2023-02-21T18:05:38","date_gmt":"2023-02-21T17:05:38","guid":{"rendered":"https:\/\/zaverecne-prace.ucimesaweby.sk\/molnarova\/?page_id=14"},"modified":"2026-10-01T14:34:44","modified_gmt":"2026-10-01T12:34:44","slug":"domov","status":"publish","type":"page","link":"https:\/\/umkd.uniza.sk\/mkdrevue\/","title":{"rendered":"Domov"},"content":{"rendered":"
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Revue o nov\u00fdch m\u00e9di\u00e1ch
\na kult\u00farnom dedi\u010dstve<\/span><\/span><\/h1>
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Mediamatika a kult\u00farne dedi\u010dstvo<\/strong><\/span><\/h2>\n

Mediamatika a kult\u00farne dedi\u010dstvo – revue o nov\u00fdch m\u00e9di\u00e1ch a kult\u00farnom dedi\u010dstve je vedecko-odborn\u00fd \u010dasopis na prezent\u00e1ciu a\u00a0populariz\u00e1ciu v\u00fdsledkov v\u00fdskumu v oblasti mediamatiky, dokument\u00e1cie kult\u00farneho dedi\u010dstva a jeho prezent\u00e1cie v nov\u00fdch m\u00e9di\u00e1ch, populariz\u00e1cia kult\u00farneho dedi\u010dstva a nov\u00fdch m\u00e9di\u00ed.<\/p>\n

Varianty n\u00e1zvu: MKD<\/span><\/strong> alebo Mediamatika a kult\u00farne dedi\u010dstvo – revue o nov\u00fdch m\u00e9di\u00e1ch a kult\u00farnom dedi\u010dstve <\/span><\/strong>alebo Revue o nov\u00fdch m\u00e9di\u00e1ch a kult\u00farnom dedi\u010dstve<\/span><\/span><\/span><\/strong><\/p>\n

Periodicita:<\/strong><\/span>\u00a02x ro\u010dne (do roka 2016 4xro\u010dne)<\/p>\n

Recenzovanie pr\u00edspevkov je anonymn\u00e9. \u017diadny pr\u00edspevok alebo jeho \u010das\u0165 nesmie by\u0165 reprodukovan\u00fd bez s\u00fahlasu autora a bez ozn\u00e1menia redakcii.<\/p>\n<\/div><\/div>

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Vydavate\u013e:
\n<\/strong>\u00dastav mediamatiky a kult\u00farneho dedi\u010dstva
\n\u017dilinsk\u00e1 univerzita v \u017diline
\nUniverzitn\u00e1 8215\/1
\n010 26 \u017dilina
\nSlovensk\u00e1 republika<\/p>\n

ISSN:<\/strong>\u00a01339-\u00ad777X
\nE-mail:<\/strong> mkdrevue@umkd.uniza.sk<\/a><\/p>\n<\/div><\/div><\/div><\/div>

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NAJNOV\u0160\u00cd RO\u010cN\u00cdK \u010cASOPISU<\/h2>\n<\/div><\/div>
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Mediamatika a kult\u00farne dedi\u010dstvo – Revue o nov\u00fdch m\u00e9di\u00e1ch a kult\u00farnom dedi\u010dstve<\/h2>\n<\/div><\/div>
12. ro\u010dn\u00edk – MKD \u010d. 2\/2025<\/strong><\/h5>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/section>
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Kult\u00farne dedi\u010dstvo, identita a spolo\u010dnos\u0165<\/em><\/p>\n<\/div><\/div>

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BAL\u00c1\u017dOV\u00c1 Andrea<\/p>\n<\/div><\/div>

Rozpr\u00e1vky ako n\u00e1stroj kult\u00farnej identity: ako deti vn\u00edmaj\u00fa tradi\u010dn\u00fd a modern\u00fd pr\u00edbeh<\/p>\n<\/div><\/div><\/div><\/div>

PDF S\u00daBOR<\/span><\/a><\/div><\/div><\/div><\/div>
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KOTL\u00c1RIKOV\u00c1 SPECOGNA Eva<\/p>\n<\/div><\/div>

M\u00faze\u00e1 a gal\u00e9rie ako n\u00e1stroj v boji proti epid\u00e9mii osamelosti<\/p>\n<\/div><\/div><\/div><\/div>

PDF S\u00daBOR<\/span><\/a><\/div><\/div><\/div><\/div>
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KUBALA Mat\u00fa\u0161, HOMOL\u00cdK Adam<\/p>\n<\/div><\/div>

Cultural heritage as a play space: representing New York City in Marvel’s Spider-Man 2<\/p>\n<\/div><\/div><\/div><\/div>

PDF S\u00daBOR<\/span><\/a><\/div><\/div><\/div><\/div>
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MA\u010cEK Dominik<\/p>\n<\/div><\/div>

Nehmotn\u00e9 kult\u00farne dedi\u010dstvo ako hern\u00fd prvok: pr\u00edpadov\u00e1 \u0161t\u00fadia adapt\u00e1cie Baby Jagy<\/p>\n<\/div><\/div><\/div><\/div>

PDF S\u00daBOR<\/span><\/a><\/div><\/div><\/div><\/div>
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Digit\u00e1lna spolo\u010dnos\u0165, technol\u00f3gie a inov\u00e1cie<\/em><\/p>\n<\/div><\/div>

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LE\u0160TACHOV\u00c1 Monika<\/p>\n<\/div><\/div>

Kognit\u00edvny offloading a psychologick\u00e1 z\u00e1vislos\u0165 od umelej inteligencie: dopady na samostatn\u00e9 myslenie \u010dloveka<\/p>\n<\/div><\/div><\/div><\/div>

PDF S\u00daBOR<\/span><\/a><\/div><\/div><\/div><\/div>
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P\u00c1LFY Timotej<\/p>\n<\/div><\/div>

MVP ako n\u00e1stroj pre valid\u00e1ciu trhu a z\u00e1kazn\u00edckych potrieb<\/p>\n<\/div><\/div><\/div><\/div>

PDF S\u00daBOR<\/span><\/a><\/div><\/div><\/div><\/div>
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Z\u00c1BORSK\u00dd Martin, PITO\u0147\u00c1KOV\u00c1 Slavka<\/p>\n<\/div><\/div>

Overovanie p\u00f4vodu v\u00fdstupov generat\u00edvnej umelej inteligencie
\nTechnol\u00f3gie, mo\u017enosti a limity watermarkingu<\/p>\n<\/div><\/div><\/div><\/div>

PDF S\u00daBOR<\/span><\/a><\/div><\/div><\/div><\/div>
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CHOVANEC Adam, P\u00c1L D\u00e1vid a Vladim\u00edra H\u00ddLLOV\u00c1<\/p>\n<\/div><\/div>

Pr\u00edpadov\u00e1 \u0161t\u00fadia generovania vizu\u00e1lnych materi\u00e1lov o kysuck\u00fdch
\ncholv\u00e1rkoch<\/p>\n<\/div><\/div><\/div><\/div>

PDF S\u00daBOR<\/span><\/a><\/div><\/div><\/div><\/div>
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\u017diadny pr\u00edspevok alebo jeho \u010das\u0165 nesmie by\u0165 reprodukovan\u00fd bez s\u00fahlasu autora a bez ozn\u00e1menia redakcii.<\/p>\n<\/div><\/div>

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Pokyny pre autorov<\/span><\/div><\/a>
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Uk\u00e1\u017eka strany<\/span><\/div><\/a><\/div><\/div><\/div><\/div><\/div><\/section>

\u010eal\u0161ie ro\u010dn\u00edky \u010dasopisu<\/span><\/span><\/h2>